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Lesser Ury Lesser Ury (1861-1931) a German artist was highly regarded at the time of his death, but is now largely forgotten except for his impressionistic scenes of Berlin life. Born in Birnbaum, Poznan (then part of Prussia), he moved after the death of his father and during his teens to Berlin. In 1878 he began his art studies in Dusseldorf, spent time in Paris and Brussels, moved around the German cities of Munich, Stuttgart and Karlsruhe, before finally returning to Berlin in 1887. As a mature painter he introduced impressionism into the Berlin art scene, but not to popular acclaim. As a Jew, he was subject to the rampant anti-semitism of the newly established German Reich and as an importer of a foreign French art movement, he was subject to a strong nationalist condemnation engendered by the recent Franco-Prussian War. He remained an outsider in the Berlin art scene for most of his life but finally did achieve recognition in the years immediately prior to his death in 1931 - with a number of prominent exhibits and acceptance into the Berlin Secession. While known primarily as an impressionist, his later art was post-impressionistic with the same interests and color sense to be found in early Van Gogh and Picasso. Moreover, he produced a number of important pieces with Jewish themes, for which reason he was included in a historic exhibition of Jewish artists curated by Martin Buber for the 5th Zionist Congress in 1901. Buber, in a letter sent to Ury, described his visiov of a Jewish artist. "… who independently of outside formulas and commandments found his way through the wilderness, who has nothing in common with schools and cliques and who is led only by the laws of his own being, who was hard as metal to all external solutions, and whose art was soft and flexible as wax under the hand of the angel. Only from such an artist…can we learn that the Jewish spirit, the old turmoil over pictures is reborn to a second youth and incorporated in paintings". From the context of the quote, it is clear that Buber regarded Ury as such an artist. Shortly after Ury's death in 1931, the Nazi's ascended to power and systematically attempted to remove the art and reputations of Ury and other Jewish artists from European culture. In Ury's case, they were largely successful and his work is barely known today.
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